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Character Design

I love creating new and unique protagonists, ready to live their stories.

A cute looking Piranha in various poses

A cute Panda character stood by a bamboo plant. Beneath is a row of poses form a complete 360 degree turnaround, for the purposes of manufacturing a plus toy.

A young pirate in various piratical poses.

Cute animal friends teaching kids about their habitats.

Characterful crustaceans from a model sheet. Part of development work for a reboot of the Little Big Planet Game.

Pencil sketches of cuddly bears in superhero capes.

A blue background filled with a yellow dungaree wearing elephant in various poses.

A yellow background filled with a Blue Shorts wearing Gnu in various poses.

A beautiful blue and red cockatoo in various poses from a children's book called Searching For Ooh by Austen Hempstead.

Three funky looking hedgehogs in a hill billy style.

A small crazy looking hedgehog making various facial expressions.

Ball the hedgehog raising his arms triumphantly.

A turnaround of a chunky hedgehog character for the purposes of 3D modelling.

Butch the boss hedgehog looking disinterested in everything.

A turnaround of a goofy hedgehog character for the purposes of 3D modelling.

A goofy looking hedgehog in a bucket hat making various facial expressions.

Rico the hedgehog standing against a brown background

various poses of a young dragon that acts like a puppy.

A dragon sniffing a ball, his tail held high wagging like a dog. The background is a high contrast blue and purple landscape.

Various aged elephants strolling about the page.

Various chimpanzee characters wearing the classic Columbo rain coat.

An assortment of nasty looking Piranha characters for a picture book.

A variety of stylised crabs looking a little over confident.

This is a style I developed working in the animation and game industry used to iterate character designs. I use this when the project needs a touch of the 3 dimensional. Many a rolling hill in the background.

This is the style that I have been developing and improving since I was 16 years old. I’m working in a maximum of two planes wherever possible. Things in the background are only added when essential to the story. They are often drawn on the same horizon line as the main focal character and adjusted in size to create depth. This is how comics were done originally and is my favourite way to work.

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